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The Great Divorce by C. S. Lewis

In which the narrator takes a bus from a dreary little town in the rain, on the verge of nightfall, and to a wonderful valley filled with greenery and lions and unicorns, and in which those who got off the train, are nothing more than ghosts.

There are solid humans here, too.  They, being saints, have come to the bus to help the damned souls on it escape.  The vignettes of the damned wrestling with the possibility of happiness are exquisite.  One conclusively accepts; several others conclusively reject; and a number of others we do not see the end of the matter.

I don't think the ending, where he tries to show the transcending effect of free will, quite works.  Something about the difficulties of show transcendence in cold prose.  But that's only a few pages.  The rest is great.

Date: 2012-02-20 06:51 am (UTC)
From: [identity profile] houseboatonstyx.livejournal.com
Yes, TGD is great. I love all Lewis's work, but the semi-allegorical ones are best. Especially THE PILGRIM'S REGRESS.

Date: 2012-02-20 06:42 pm (UTC)
From: [identity profile] asakiyume.livejournal.com
This one is one of my favorites, though like you, I think the very end is weak. But I *love* most of it. I loved the business of both the sin and the sinner being transformed when the one guy "kills" his sin.

And I loved the whole layout of purgatory/hell, and the fact that it's so *small* when seen from heaven.

Date: 2012-02-21 12:08 am (UTC)
From: [identity profile] asakiyume.livejournal.com
Yeah: in that respect, props to CS Lewis for outshining Milton!

Date: 2012-02-20 07:11 pm (UTC)
From: [identity profile] houseboatonstyx.livejournal.com
The Gray City, where you can create anything you want -- except that it doesn't work -- reminds me of a modern supermarket. Well, the cereal aisles, anyway.

Date: 2012-02-21 12:10 am (UTC)
From: [identity profile] asakiyume.livejournal.com
The cereal aisle and the toothpaste aisle are soul-sappingly bewildering with their array of pseudo choices.

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