marycatelli: (Default)
So to speak.

I think the denouement is not quite what it should be, and sticking the ending is vital.

But I think that will be the work of another revision 
marycatelli: (Rapunzel)
Seven characters.

Each one has to have a different favorite elemental attack.

I hit the climax and realize that here, there is no evading it.

So I have to backtrack through the story to figure out which each one did.

sigh Better notes needed.
marycatelli: (Default)
There was this story, I had outlined it, and started it, and lost interest. . . .

Out of the blue, it hopped up again and suggested I could work on it and fit it in a collection that is, at the moment, still up in the air.

How silly those plot bunnies get
marycatelli: (Default)
I remember the days when I wrote on typewriters.

They didn't make me do these sorts of scenes in order. I ended up with a typescript with lots of scribbled arrows indicating this goes there.

The computer just let me put it actually in place.

sigh
marycatelli: (Default)
The heroes go into a forest.

The writer notices that she neglected to mention such things as whether they had paths to guide them. 

The gaps you leave open. . . . 
marycatelli: (Default)
I come to the end of the story.

All the forces have collide, and resolve.  I evade it.  A lot.  And then I realize that I was coming down with a cold, and blame that.

But it's not going to be pretty after the recovery.
marycatelli: (Default)
In one story, all the threads have to be gathered up for the conclusion.

In the other story, the love interest has to reveal the horrible past to the heroine.

What fun.
marycatelli: (Galahad)
A secondary villainess made her move.

I realized I had to go back and set up the scene because this plot thread had gotten underplayed.

sigh
marycatelli: (Default)
Events are moving. Forward in the outline, backward in the outline, out of the outline entirely.

I think I didn't think this part through clearly enough.
marycatelli: (Default)
It's always interesting, doing a journey.

The interruptions of attacks or broken bridges are one thing, but it's always a trick to convey to the reader that the journey was long and wearisome without the passage being long and wearisome.
marycatelli: (Default)
Got past the snakes. The literal ones.

there's about to be an uproar because no one else will be allowed to do what they did. And I realize that several characters will react.
marycatelli: (Default)
Went back and set up the opening more.

Fortunately, I realized that the next stage of action can kick off immediately now. The drama was pent up.
marycatelli: (Cat)
I think I may have to muck about with how many heads the snakes have. One by one is too slow. The snakes are menaces, not things to tick off as they advance

Perhaps only odd numbers of heads?

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