marycatelli: (Default)
Events are moving. Forward in the outline, backward in the outline, out of the outline entirely.

I think I didn't think this part through clearly enough.
marycatelli: (East of the Sun)
So I'm off and considering a story. A fairy tale world in which they know the tales, after the manner of The Princess Seeks Her Fortune.

So when the stepmother and stepdaughter end up running away to seek their fortunes, they know they have an odd tale.

Unfortunately, so do I.

I think I may have to poke about tales with twos to joggle something loose.

questions

Mar. 18th, 2025 11:54 pm
marycatelli: (Default)
Yes, there are always questions about "what goes here?" while writing, but this time, after I put a question in a crucial moment, the muse starts to babble about questions.

At the turning points, the heroine's victories will turn on her having correctly framed the questions. Victory turns on that.

Not, of course, that I have three questions (and answers) for the three crucial points. I may have to generate one. sigh
marycatelli: (Rapunzel)
Juggling two outlines -- trying to keep them traveling in separate lines -- and the one that seemed to have more of a story has proven -- sketchy.   The heroine has to solve problems, but that means I have to define the problems. 

Meanwhile the other one is revealing that there are animal themes among the magic involved.  Go figure.
marycatelli: (Default)
Had a story idea, months ago. It dumped a character into the middle of a big problem, and I had no idea how the problem existed or what she could do to solve it.

Had another idea, wherein she figured out that there are two sets of spell-slingers, one of which is evil, one of which is as much a victim of the first as anyone else -- perhaps more. And resolved the matter.

All right! Plunge into the outline! Discover that the middle is still entirely vague!

Oh, well, I have a few inklings.
marycatelli: (Cat)
The hero is about to kill another evil wizard living under the protection of the king's knights.

Read more... )
marycatelli: (Default)
One advantage of a plot structure -- Save the Cat, Hero's Journey, Lester Dent's, what have you -- is that it gives you a place to put story ideas in order when the story is incomplete.

Read more... )
marycatelli: (Default)
Along comes inspiration: a vivid and moving scene. In the middle of the plot -- in media res.

I ponder how on earth the characters in it met.

Needless to say there's no inspiration there. (I can't even start the story in media res because the question of how they met will come up even if I did so.)

sigh
marycatelli: (Default)
Got ideas.  Got a lot of ideas.  They go together nicely but do seem to spell out a series.

Read more... )
marycatelli: (Default)
And how long can you make a series? Was pondering this question and hit on a blog post that made me think more on the answer.

Read more... )
marycatelli: (Default)
The heroine is on a quest.

Go to I Know Not Where, Bring Back I Know Not What --

Which is technically true. She wants something to solve a problem, but she doesn't know exactly what. Those are fun to organize.

Fortunately, though she is not in a fairy tale and doesn't get a mysterious figure to advise her, she had a clue from the start, and followed it to where she has another. It introduces a complication.
marycatelli: (East of the Sun)
There I was having happily matched up the princes to their tales and plugged along with the story.

Then I thought of having her father's coronation in the story to provide some variation and set up a location.

Read more... )
marycatelli: (Rapunzel)
 Knowing how the story ends does not tell me how the middle goes.  I could do a travelogue, but that would mean no rising action, and there's too much plot for that.  (Ironically enough, the first outline had to be junked because it rose too fast, too soon.)

Read more... )

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