marycatelli: (Default)
A frequent fantastical plot device is the production of something wonderful that will produce real and earth-shaking changes for the better -- only for it to be revealed that it has a secret flaw.

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marycatelli: (Default)
So what problems come with the powers? There have to be some or there is no story.

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marycatelli: (Default)
Supers are unique. Or at least belong to a small and probably interrelated group, who all have (more or less) the same origin.

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marycatelli: (Galahad)
You start with what you start.

But in some respects, if the muse puts forth a theme, it's the hardest thing to work with.

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marycatelli: (Rapunzel)
I was pondering the world I was making and realized that since wizards make things that will generate monsters long after the wizard is gone. . .

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marycatelli: (Cat)
Should I put in a scene of the necromancers nattering about an important justification for certain events? Which also has philosophical implications. . . .

It's the point of view question.

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marycatelli: (Galahad)
So the characters are standing around arguing about justice and the rule of law and vigilantes especially when its officers of the law who are breaking the law. . . .
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marycatelli: (Galahad)
Every now and again, there's a fight.  Out of nowhere and leading to nothing.

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marycatelli: (A Birthday)
When writing superhero stories about an inner or philosophical conflict -- what is the best use of my powers?  should powers serve the law to preserve order even at the price of accepting more injustices?  -- you have to invent villains and conflict.  Becuase what's a superhero without a villain or two to toss around?

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marycatelli: (Default)
Was contemplating a book full of monsters and stats. . . .

You don't want to use the omnium-gatherum in a novel. Lacks unity. OTOH, you often don't want to use them in a game. Many discussions recommend paring them down hard.

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marycatelli: (Default)
Pondering whether there will be weather. And how much of it?

All very well to set up the dramatic scene with a thunderstorm threatening in the evening, but if the heroine and friends are to flee a mile down a road -- in the wild, with trees to either side -- with maybe a lantern --

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marycatelli: (East of the Sun)
 I wasn't planning on this.  But in no less than two novels, characters are going to sit down in lulls in the actions and gather 'round the fire -- literally in one case, in the other they can't get the fire wood -- and one of them is going to tell a story. . . .

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irony

May. 9th, 2018 10:05 pm
marycatelli: (Reading Desk)
Anyone with the heretical gall to ask an ironist what he actually stands for ends up looking like a hysteric or a prig. And herein lies the oppressiveness of institutionalized irony, the too-successful rebel: the ability to interdict the question without attending to its content is tyranny.

David Foster Wallace

ennobled

Mar. 12th, 2018 10:41 pm
marycatelli: (God Speed)
Shortly before the story begins, the heroine's father became a noble.

I've yet to decide whether he was blindsided by an unexpected inheritance, or by the king's deciding to ennoble him. Blindsided is definite, he does not like the duties of the new role. . . .
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marycatelli: (Galahad)
Not the D&D alignments, which are as messy and incoherent as the rest of the alignment system.

But -- is the evil in the world organized and unified, or not?

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