marycatelli: (Galahad)
Promises are a lot more important in a lot of cultures than the readers may expect at once.
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marycatelli: (Golden Hair)
Kamikaze, Cherry Blossoms, and Nationalisms:  The Militarization of Aesthetics in Japanese History by Emiko Ohnuk-Tierney

An in-depth look at the meanings the cherry blossoms has held in Japanese history, the efforts to unify the country with a modern ideology, the selective use of cherry blossoms in World War II.

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marycatelli: (Galahad)
Ah, the delights of ripping off an idea because you think the writer who had it first did a poor job of it.

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marycatelli: (A Birthday)
Ah, the stealing of notions.  How much fun it is.  How much work it takes, filing off the serial numbers before the story is your own. . . .

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marycatelli: (Galahad)
Odd thing in my reading lately:  a number of stories making good use of feudal, or almost feudal, loyalties.

Now, there's no denying that this makes a wonderful plot device for supplying even a down-and-out noble with forces and cannon fodder in general, who are willing to do the difficult or impossible in aid of the noble.

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marycatelli: (A Birthday)
By which I mean not the theme the unity of which Aristotle praised so highly and so wisely, but what your English teacher taught -- which is certainly an aspect of Aristotle's.

I don't see many works whose major failure lies in a break down in theme, but it can be done.

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marycatelli: (God Speed)
Was reading a collection of Poul Anderson's works, and philosophically contemplating the feudal futuristic world of one, and then thinking, no, that's not right. . .

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marycatelli: (God Speed)
I still advise, when world-building a religion, to start with the story and its setting and work your way backwards.  (Taking into account stuff like this.)

It does not mean you are out of the wood, because you have to work your way backwards.  On the other hand, the biggest problem I see in fantasy is writers who start with the religious practices they know, and slap the religion they want on top of them.  It's not the religion that's the problem.  It's that the foundations are all wrong.

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