"Of simple plots and actions the episodic are the worst. I call a plot episodic when there is neither probability nor necessity in the sequence of episodes." -- Aristotle
"Show don't tell" is one of those rules you hear early in the writing life. And it has its points. It's a very odd story that can be told well without any showing, and a scene shown is almost always more dramatic than a scene told.
You want to keep the story hopping with liveliness and activity, or at least filled with quiet drama, all the time. Cut out the dull parts rather than summarize them, to keep the reader engaged.
Sometimes you don't want to maunder about what your character's motives are. Having heard that her mother's ring is vitally important, she goes back home and empties out drawers on the floor, and leaves it there while she opens closets and hunts through the shelves. . . ( Read more... )
Narrative drive, the forward motion of the story, is a great thing to keep people reading onward (to long after they should have been in bed, often enough). But one curious thing I've noticed, reading series that were long established but not complete when I stumbled on them. . . .
I used to find the scene cut at the point where the hero stands up and says, "Now this is what we are going to do." very, very, very annoying. Cut straight to the people running about doing stuff and you get to see what the plan is when it unfolds.