Mary Catelli's Erraticly Updated and Exceedingly Ill-Organized Journal

I hadn't meant there to be irises in this scene.

And when I added them, they seemed to be local color, to distract the heroine by making the  scene normal.

Then one turned black.  And it dawned on me that a black flower will alert her to every manifestation of this problem in the course of the work.

At least it gives her some warning once she figures it out.

If, for plot purposes, there are caves and cliffs in a region late in the book, it may be wise to actually introduce them sooner.

Perhaps I can get away with a brief mention in the already written stuff.  The hero's new supporting cast has a character who will definitely look into them.

And then in another story, I had thrown in peaches and then I started to wonder whether they were suitable for the milieu.  A fairytale one, where you often have pumpkins and turkeys where transportation is crude -- then the fairytale could explain where they came from -- and then a little more research reveals they were safely medieval. 

The heroine sails up to the port.

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An idea popped up.  For a story

But the question arose, what would the best modern idea that three modern people could bring to upgrade agriculture and so living in a D&D (sorta) medieval universe? They have crop rotation -- maybe contour plowing?  They are at least aware of the circular problem that the people need more food to be able to build the infrastructure to increase agricultural productivity.

And then, what is the best thing they can bring in as their own D&D characters? The decanter of endless water -- endless potable water -- would probably bring about the most change if they could only get enough. But both objects and spellcraft are aimed at adventures.

D&D has its little spell lists.  The odds that any moderately realistic world would have them thus limited are very stiff indeed.

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I think I'm going to dillydally on a story a bit.
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But violets are not blue.  The violets are gone. before full midsummer

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Was reading the stories about how the wolves changed the rivers in Yellowstone.

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Quack, quack, quack goes the duck, and all her little ducklings -- she has a flotilla -- follow along, and the writer winces.

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Settings can contrast each other as character foils do,   One thing that can contrast is how settled they are.  And the fun part is that each one can look settled and civilized in contrast to the next.

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Part of bittercon