marycatelli: (Default)
If, for plot purposes, there are caves and cliffs in a region late in the book, it may be wise to actually introduce them sooner.

Perhaps I can get away with a brief mention in the already written stuff.  The hero's new supporting cast has a character who will definitely look into them.

And then in another story, I had thrown in peaches and then I started to wonder whether they were suitable for the milieu.  A fairytale one, where you often have pumpkins and turkeys where transportation is crude -- then the fairytale could explain where they came from -- and then a little more research reveals they were safely medieval. 
marycatelli: (Architect's Dream)
I don't generally research my books. I read a lot of history, fairy tales, and folklore, and then run on it.

I have recently worked on two stories where a princess is sent to the mountains to protect her. In the second of them, I really need to know something about the economics and the topography of such settlements. It's important that they are settlements in the forest, which basically engulfs them, and that in fact the herb trade is vital.

I did already know we needed rivers. Hmmm. That would mean that the way to block passage would be to block the river, not the road. . . .

But first, settlements in mountain valleys before the railroad.

marycatelli: (Rapunzel)
So I was fooling around with the magic of the world -- the rarer your power source the more power you can draw -- and wondering whether you could draw from rain rather than water in general. . . .

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marycatelli: (Galahad)
So, for plot contrivance reasons, there are not good powers and evil powers, beyond the obvious things like "animating the bodies of the dead" or poisoning people, which are intrinsically evil.

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marycatelli: (Default)
Was pondering the question of vigilantism in my high fantasy superhero work.   Decided to allude to it.
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marycatelli: (God Speed)
There's a superpower -- well, a magical prowess (I may change that term) -- where a knight can pass from one place to another without going through the intervening distance. They call it leaping. Sometimes they can take other people, and things as well.

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marycatelli: (Default)
The muse has started a lot of characters.  The fun side is -- there is only the most minimal connection between them.

As if, they are all in the same set of countries. 

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marycatelli: (Architect's Dream)
Working on two outlines, one "sequel" to the other.

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marycatelli: (God Speed)
In the first book, two characters will discuss how to deal with evil sorcerers who fled the land.

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marycatelli: (East of the Sun)
Proverb has much to say about the speed of rumor.  But even in a fairytale world, that's obviously overstated.

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marycatelli: (Cat)
Sending the characters on a trip. Intended to be educational, work them systemically through various things they will working magic against.

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marycatelli: (God Speed)
I had been thinking of King Drakos's kingdom as to the west of King Maximus's. Indeed, thinking of King Maximus's as being pretty much the border. . . .

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marycatelli: (Rapunzel)
And off goes my heroine with a flock of other pupils and two teachers.  For a field trip that involves circling the magical boundaries of their refuge.

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marycatelli: (Default)
So there's this bird that flies around the world. . . .

Well, the habitable regions of it.  Owing to the geographical set up, it is not a world in the sense of a planet, but the bird does not fly around the entire universe.  Only the parts in the middle are habitable, and where the bird flies marks the very end of where humans (or human-like beings) can survive without constant magical protection.

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