marycatelli: (Default)
Training supers would be fun.  Especially if they were few (and thus you were stuck with what you had), or if their powers were dependent on their personality.

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superscales

Apr. 7th, 2023 10:02 pm
marycatelli: (Architect's Dream)
One thing that a world's history really matters in is how much time they have had to analyze superpowers.

Even in the basic sense of categorizing them as types and by strength.

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marycatelli: (Default)
There's going to be a fight between two superteams. Neither of which is very defined.

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marycatelli: (Default)
There's one definitely way you could oppress supers.

Have groups of them, and oppress one.

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marycatelli: (East of the Sun)
What sort of fairy tales would wizards tell?  The tales of Beedle the Bard lack the true folktale ring.   (Though, I grant  you, are not much different from some other literary attempts at fairy tales I have seen.)

The Sorcerer's Apprentice would have obvious value in cautioning young wizards about their magic.  The young wizards might prefer "Master and Pupil" or "Farmer Weathersky" in return, though I ponder the magic in it.  Suppose the world doesn't have that kind of wild shapeshifting magic.  Perhaps you can only do one or two shapes, or only animate beings. . . but then, we tell fairy tales where we have none of the magic involved.

Could be interesting.
marycatelli: (East of the Sun)
The heroine cheerfully informs me that between her studies and her playmates' chores, she and they play fairy tales.  

She tells them the story from her lessons, and they act them out.

At least it gives me another way to slither in information short of her reading or reciting her lessons.
marycatelli: (Rapunzel)
There I was, innocently writing up how my heroine was packing.

Including some text books.

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marycatelli: (Rapunzel)
So the heroine -- who has slogged into a military front and thrown her weight around with her magic -- now has some intelligence of vital importance.

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marycatelli: (Default)
A bildungsroman is more rambling and less plot driven than most stories, because the inner journey is the important thing.

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marycatelli: (Default)
There's some major questions before you can even consider the question of realism in superheroes.  How many are they?  How powerful are they?  What are their origin(s) or metaorigin(s)?  Are they random, and if so, what is random?

Then there's the questions that synergize.

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marycatelli: (Default)
Ah, the bildungsroman! I know the years ahead. I know many events that will happen in them.

I even know that some will happen before others!

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marycatelli: (Rapunzel)
All the girls are putting their heads together for their project. What shall they do, what shall they do? It's crucial. It's their master project and required to graduate. (They could work on ones of their own, but aren't that silly.)

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marycatelli: (God Speed)
Finding places to explain why the children of royalty and nobility do not play with the children of servants, even when they are very young:  because you have to stop the friendships entirely at a relatively young age.

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marycatelli: (Default)
Very mischievous, are dwarves.  That's what explains echoes, after all:  dwarves mockingly repeating what you said.

Now how to convey this when it's just part of the wild and wonderful world that some young people are taking the tour of.  And not an in-depth one.  This is to alert them to how things are to influence their decisions in career and school paths.  As in, deciding whether they would rather engage in ordinary jobs of farming, baking, sewing, and the like, or keeping the dwarves' mischief out of their lives.

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