marycatelli: (Architect's Dream)
One reason to read primary source is to get the actual point of view of the people of the time.

For this purpose, secondary source is primary source, for the purposes of figuring out what the people of the time of writing thought about the people of the time written about.  However, this often hinders secondary source in its purpose of revealing the time written about -- 

I'm reading an author who writes that a cunning woman of early modern England had to wait until her husband was in bed before she worked something for healing an illness.  She discusses several possibilities, noting that the law against witchcraft had been repealed in that time, but it does not even seem to have occurred to her as a possibility that he thought it was witchcraft, and therefore wrong.
marycatelli: (Default)
Having told you how you should do it, I will now tell you why I recommend that all aspiring writers read a lot of primary sources, from as many eras and places as they can pull off.  0:)

It's not for research purposes.  It may prove useful for that in the long run, but the recommendation includes eras and places that you have no interest in writing in.  Indeed there's enough primary source floating about that it would be a trick and half to sample a lot of it and manage to use it all as research.  That's not its primary benefit.
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marycatelli: (Roman Campagna)
One of the great offenses against world-building is to interject modern thinking into eras where neither the technology nor the social structure would have produce it.

Very easy to do by default if you haven't done enough historical reading -- especially of primary source -- when you don't realize that what comes natural to you is not the nature of the universe.  And a grave danger when dealing with eras where we have very little documentation so it's hard to piece together.  However. . . .

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marycatelli: (Golden Hair)
Young Medieval Women edited by Katherine J. Lewis, Noel James Menuge, and Kim M. Phillips

Being a collection of essays on medieval woman, some of them specifically about maidens, and some about issues that would have been important to maidens, even if not specific to that age group.

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marycatelli: (Golden Hair)
Crowns In Conflict by Theo Aronson

Being a study of the monarchs and royal families just before and during World War I, with some clean-up afterward.
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marycatelli: (Golden Hair)
Mr. Kipling's Army:  All the Queen's Men by Byron Farwell

Being a survey of British Army life in the later part of the Victorian era -- with enough history and looks forward to situate it.  Given that in 1850 the army still had officers who had served under Wellington at Waterloo, and other officers led the troops in World War I, that's a far stretch.  (Indeed, at one point it goes back to Cromwell's time, since one unit of Cromwell's army had, by a legal fiction, survived the Restoration.)
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marycatelli: (Golden Hair)
The Persistence of the Old Regime: Europe to the Great War by Arno Mayer

An interesting analysis of how Europe was agricultural and ruled by nobles and kings up to World War I.

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marycatelli: (Golden Hair)
Slavery In Indian Country:  The Changing Face of Captivity in Early America by Christina Snyder.

Bit of a misnomer.  It treats with slavery among the "Southern Indians" -- those on the East Coast and as far west as the Mississippi who were south of the territories that the Iroquois controlled.  Not that meant that the Iroquois were not sometimes a problem. . . .

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marycatelli: (Golden Hair)
The Discarded Image: An Introduction to Medieval and Renaissance Literature by C. S. Lewis

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marycatelli: (Strawberries)
It's valuable experience, reading lots and lots and lots of stuff about an era you want to use, or emulate  (or rip off, if you prefer).

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marycatelli: (Golden Hair)
Inventing New England:  Regional Tourism in the Nineteenth Century by Dona Brown

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marycatelli: (Golden Hair)
Sacred Places:  American Tourist Attractions in the Nineteenth Century by John F. Sears.

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marycatelli: (Golden Hair)
Mobilizing Women For War: German and American Propaganda 1939-1945 by Leila J. Rupp

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marycatelli: (Golden Hair)
Courtesans and Fishcakes:  The Consuming Passions of Classical Athens by James Davidson

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