marycatelli: (East of the Sun)
Well, not too far into the story, she knows all about the death of her uncle. Something about reviving him from the dead does not leave her room for ignorance, especially since they talk along the way. (Along with the fox.)

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marycatelli: (East of the Sun)
The princess get dragooned into telling younger children a story.

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discoveries

Mar. 1st, 2022 11:39 pm
marycatelli: (Default)
On one hand, the plot element about a part of the forest is not developed well enough. It has to foreshadow the final danger, or it has to go.

On the other hand, going through a scene wondering what I was thinking, I realized what one boy would say at the end, and how it would give the heroine the motive to go do something I was wrestling with. And even what she could say and do that would provoke it, with a little initial impetus from another character.

Such is the whim of the muse.
marycatelli: (East of the Sun)

When does the heroine get to hear her story?

The curse at the christening, the politics involved, why they know one prince is not THE prince. . . .

AND the reader's heard it all already, in living color, too, so how do I omit and summarize and put in something new to keep the readers awake? 

marycatelli: (Default)
The first chunk of dialog is done.

The second chunk of dialog -- is revealing how much of the dialog was pure plot device on my part. Not sufficiently motivated on theirs.

Chiefly, the heroine has to have a reason to think of what she suggests that the hero do. (Putting him in more danger than she will be. Unfortunately, she's the one who has to save the day, and it means she will be safer than he is.)

Motives, motives, motives. . . .
marycatelli: (Default)
Scene needs some serious rework.

But while, serious, not fundamentally complicated.

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marycatelli: (Default)
Ah backstory. The heroine has some. Something has just happened to drag it back into her life.

So when will she think about it?

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marycatelli: (God Speed)
In a sort of Regency/Faerie cross-over, the heroine and her family conjure their teacups from flower blossoms. As a retrenching measure.

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marycatelli: (East of the Sun)
Type, type, type along. At his youngest sister's wedding, much discussion of the prince's as-yet-unidentified bride.

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plot holes

Jul. 6th, 2020 11:59 pm
marycatelli: (God Speed)
I know the ending, I know up to the (exact) middle. . . .

It occurs to me that the first thing that will happen at the midpoint when they realize what they need to use something the queen has. And it will be of advantage to her if they have it and use it.

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marycatelli: (Cat)
One of the advantages of keeping your metaphysics off stage is that it allows your characters to debate metaphysics without some of them looking like fools. But one of the disadvantages of that is that they need some metaphysics to argue. Which ought to harmonize with the religion as practiced.

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marycatelli: (Default)
The heroine has to tell the difference between the hero and an impostor.

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marycatelli: (Rapunzel)
When revising a Gamelit outline to ensure that the characters run low on spells, it's not so wise to add encounters, but to ramp up the use of spells in the existing ones.

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marycatelli: (Default)
My superhero stories have a lot of talk.

It is the logical consequences of characters have a conundrum that they must solve before they actually can use those superpowers to good purpose.

And it may just be a small sample size. But after a few pages of talk inter-spaced with some actions, it get noticeable when writing.

(Hmmm. Another story I'm working on has a lot of talking, but having characters tell stories does not have the same effect.)
marycatelli: (Default)
Heroine is in the second lab for the second group of people out to test her powers.

One of the group is burbling about how she's able to use the strength she drains from others and it dawned on me -- how does she know that?
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marycatelli: (East of the Sun)
When you lock up one character in a tower, and two down in the dungeon, and have a fourth who sometimes talk to either set, but never both at once -- 

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marycatelli: (Default)
The thrilling life of the author.

I have plowed through dozens of pages of what will probably be a novella. One character just made a smart-alecky and very silly comment to another, who will briefly think of it as a silly comment.

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marycatelli: (East of the Sun)
A character tells a fairy tale.  It involves changing shapes.  Which the listeners have all studied in school. . . .

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marycatelli: (East of the Sun)
 I wasn't planning on this.  But in no less than two novels, characters are going to sit down in lulls in the actions and gather 'round the fire -- literally in one case, in the other they can't get the fire wood -- and one of them is going to tell a story. . . .

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